TBT 1927, family history, kith/kin, 1429 Ponce de Leon, Harman, The Paideia School, if only these walls could talk … : This house at 1429 Ponce de Leon in Atlanta houses the College Counseling Offices for Paideia School. I wonder if anyone at the school knows that someone was born in the house in 1927, that person being my dad. He was born in the Harman Home, the home of his grandparents (my great grandparents). — at The Paideia School.
Eleanor “Ellie” Frith, kith/kin, dance, ballet: One of my favorite families. A great story!
For the love of dance – Frith accepts offer from Houston Ballet II
A follow-up to a Charlotte Observer story
Ballet dancer, Eleanor “Ellie” Frith, is a graduating from the Performance Learning Center’s eLearning Academy. When her fellow classmates walk across the stage on June 11, Ellie will be preparing for her performance in the Houston Ballet Academy’s Swan Lake. Ellie was recently offered a position with Houston Ballet II on a year contract. Ellie was accepted into the Houston Ballet Academy’s year-round program when she was 15 years old. She studied as a virtual student during her junior and senior years of high school packing her schedule with studies, rehearsals, performances and learning the essentials of being independent. Ellie was also accepted to the University of Virginia but has deferred enrollment. See the link to the original story from the Charlotte Observer: http://www.charlotteobserver.com/2014/01/06/4591971/dancers-life-takes-pivotal-turn.html#.U39bSFEUP9c (Contact: Stacy Sneed)
via Grad Stories.
“On the road”: the ambitious exhibition commemorating the 800th anniversary of St Francis of Assisi’s pilgrimage to Santiago:
“On the road”, the ambitious exhibition commemorating the 800th anniversary of St Francis of Assisi’s pilgrimage to Santiago, will be on display in Santiago de Compostela, Spain until 30 November.
Comprising works by 35 contemporary artists, including Yves Klein, Tacita Dean, Christian Boltanski and Anthony McCall, the exhibition is taking place across three locations in the Galician capital: the church and cemetery of San Domingos de Bonaval, and the Pazo de Xelmírez, adjoining Santiago’s cathedral.
A variety of media — painting, sculpture, installation, video, and art intervention — feature in the exhibition which pays homage to the intercultural character and dynamism of the city, repositioning it as a meeting place for history, spirituality and the future.
Director of Tourism in Galicia, Nava Castro, has described the show as offering the “possibility to rethink” the pilgrimage’s anniversary and to create a cultural event of international relevance and importance.
It is unlikely, though, that anyone would come away from this huge display, ranging across a palace, a church and a park, without being affected by the enduring ideas St Francis has stamped on our collective consciousness. A new pope who has pointedly called himself Francis; inequality; material versus spiritual value; our troubled place in the natural world: all this is fresh and familiar, even if the actual figure of the friar is blurred in the vast temporal distance that separates us from 1214.
“It is no use walking to preach unless our walking is our preaching” is one of the saint’s aphorisms. Looking at Alÿs’s film loop, pondering why, in an otherwise bare room, a car hubcap is leaning against the wall, I was struck by how pilgrimage has always had a whiff of the postmodern about it. Chaucer knew that to travel talkatively was better than to arrive. Pilgrimage was a medieval road movie, whose goal, and centre, was always shifting.
Every afternoon pilgrims from all countries stream in to Santiago with their blisters and backpacks, continuing the decades-long camino boom triggered partly by Paulo Coelho’s 1987 new-age novel The Pilgrimage. David Lodge’s novel Therapy (1995), or the 2010 film The Way, starring Martin Sheen, also centre on the Santiago route as a balm for modern-day exhaustion and alienation.
On The Road, then, will not lack a global audience. The show is a chance to reposition the city as a fusion of history, spirituality and something more hip, and yet its sheer scale and grandiloquence are sometimes at odds with the thirst for simplicity and scaling back at the heart of this new pilgrimage. For all that Barbi’s final work signs off on a meditative note, it does not quite dispel an overall feeling that less might well be more.
Portillo’s, chicagotribune.com: Best chopped salad ever …
Portillo’s Chicago-style hot dogs and Italian beef have whet the appetite of Boston-based buyers who are eager to introduce the local favorites to more diners nationwide.
The company confirmed Tuesday that Berkshire Partners is investing in Dick Portillo’s eponymous chain, two months after its 74-year-old founder announced he was considering financial alternatives for the restaurant.
“Portillo’s is my life’s work and I remain committed to ensuring the continued growth and success of the business,” Portillo said in a statement. “I was seeking an experienced partner that shared our vision for the company and an appreciation for our culture.”