Posts Tagged ‘Davidson College
“Solvitur Ambulando” – It is solved by walking, 2017 Lenten Labyrinth Walks (Walk 6/40), Wedgewood Church, Charlotte NC, 52 Words Every Christian Should Know:
Sights, sounds and musings … another free form day.
Totally overcast and damp breeze. The breeze and the Holy Spirit took my thoughts to the new movie The Shack. So I wondered how I would portray the Trinity. How would you?
Little birdhouse that I never noticed and later saw two robins, one atop the birdhouse clearly not meant for her.
Massive construction near major power lines; I’m not sure why someone would invest so much money right there on a busy street with electrical lines running in their front yard.
Massive oak tree.
Crunch, crunch, crunch – the pebble path is clearly not my favorite.
Red ant bed
Sounds of traffic at this busy intersection (Tyvola and Wedgewood)
52 Words Every Christian Should Know
Last week’s words were about God, this week’s words are about Scripture and include inspiration, infallibility, the Law, prophecy, interpretation and the Great Commandments. But today I will focus on the writer’s approach.
“I have written from a broadly evangelical perspective. My treatment is sensitive to areas where there are major differences of opinion, such as dispensational eschatology, Calvinism, Pentecostal issues, and the sacraments or ordinances. On the other hand, I affirm as a foundation the classic confessions of the churches (the Apostles’ Creed and the Nicene Creed) and the five pillars of the Reformation (salvation as taught in Scripture alone, by Christ alone, by grace alone, through faith alone, to the glory of God alone). If you relate positively to these beliefs and want to gain a better understanding of essential Christian terms, this book is for you.”
Source: Easley, Kendell (2010-07-19). 52 Words Every Christian Should Know (p. 1). B&H Publishing Group. Kindle Edition.
So I have to ask myself, do I relate positively to these beliefs? I must admit that I relate negatively to the introductory phrase “evangelical perspective,” but that is a visceral response and actually does not reflect what I have come to understand is the true meaning of the word. So I relate positively to the beliefs, but negatively to the box into which the author puts them. What do you think?
About labyrinths:
“The Labyrinth is an ancient spiritual tool meant to awaken us to the deep rhythm that unites us to ourselves and to the Light that calls from within. Based on the circle, the universal symbol for unity and wholeness, the labyrinth sparks the human imagination and introduces it to the intuitive part of our nature. It allows us, in a very simple, fundamental way, to let go of present concerns and open ourselves to a quiet place of new thought.”
Source: Labyrinth | Joy’s Rustic Garden Labyrinth Walk, https://joysrusticgarden.com/labyrinth/.
And I finish this walk with pebbles in my shoe …
3.6.17
A few extras …
Kith/kin, Davidson College, gifts: My sister began painting a few years ago. This painting of Davidson College was her graduation gift to Molly. Her paintings are from the heart.
Red Boot Coalition:
Red Boot Step Eleven: We came to see that living our lives as outlined in these eleven steps positively impacts our lives and the lives of those around us. We feel a new and joyful responsibility to serve our community in any number of ways. We are engaged.
Neon Museum – Las Vegas NV: Cary … thanks to you, I have been there.
Nearly seven years after the financial crisis, banks are still churning out profits and wrestling with regulators.
Yet Wall Street, by many important measures, appears to be in the middle of a humbling transformation.
Bonuses are shrinking. Revenue growth has stalled. Entire business lines are being cut. And some investors are even asking whether the biggest banks should be broken up — changes that are all largely attributed to a not-so-well-known set of rules regarding capital, a financial metric that captures how much cushion banks might have in the event of a crisis.
via New Rules Spur a Humbling Overhaul of Wall St. Banks – NYTimes.com.
Map Shows Loudest and Quietest Places in the U.S.:
Where is it quiet, and where is it loud? A map unveiled at the annual meeting of the American Association for the Advancement of Science in San Jose, California, shows you where to go if you want a landscape without much racket.
It was produced by researchers from the National Park Service and elsewhere, who compiled 1.5 million hours of acoustic monitoring from around the country, Science reports. They then created an algorithm that predicted noise values for areas where sound wasn’t directly measured.
The map was made in part to see what areas may have ambient sound levels that could interfere with the survival of species like owls, which have sensitive hearing and require relative quiet to detect prey.
Be Still meditation:
The Oasis: Particularity of Time and Space, Davidson College:
It strikes me that Davidson overall is a temple in this contemplative sense, too, of higher learning and higher selves, individually and together.
Particularity and pluralism, faith and reason, time and space.
Professors question traditional four-year residential college model – LA Times, Davidson College, flipped courses, higher education, 4-year residential college:
“Remaking College: The Changing Ecology of Higher Education,” which Stevens edited with fellow Stanford professor Michael Kirst, questions the four-year college path that evolved after World War II. The authors advocate for a more flexible model that is based less on the Ivy League and more on for-profit colleges.
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“Higher education is Teflon compared to that,” said Kirst, president of the state Board of Education.
As our “outsourced economy” continues to whither, and our population swells thanks to “open borders”, I don’t expect the “Land of Opportunity” to have much left.
Colleges have begun receiving score cards from the federal government based on their cost and graduation rates, among other factors. And the Obama administration has proposed a ratings system for colleges that would take into account tuition, average student debt and graduation and transfer rates.
Stevens said he sees more innovation in the technology field. Several San Francisco start-ups have started offering seminar-style college courses aimed at training people for tech jobs. And Stanford students and administrators have discussed a program to spread undergraduate studies over a longer period than four years.
But of all the residential campuses, Stevens said he believes Davidson College near Charlotte, N.C., has done the best job of exploring alternatives to the traditional four-year schedule among selective private schools.
The school has offered “flipped” courses in which students watch lectures on their computers and spend their time in class interacting with their peers and professors. The school also started an adult learning institute that offers primarily evening courses designed for adult students.
At Harvey Mudd College in Claremont, professors have been tracking results for students taking “flipped” classes and comparing them against the same class in a traditional setting.
Davidson President Carol Quillen said she’s not sure what role flipped courses and adult learning will play in the college’s future. “No one knows what the impact of new technologies is going to be on higher education,” she said.
Quillen said the college is likely to keep trying to find ways to integrate technology in the classroom, but she didn’t foresee it tearing down dorms any time soon.
“It would be foolish and possibly irresponsible to ignore it,” she said. “I don’t know how we can tell students they can make a difference in the world if we don’t teach them about technology.”
via Professors question traditional four-year residential college model – LA Times.
Religion’s Role in the History of Ideas – WSJ:
It happens every year. In teaching my humanities class, I ask what a philosopher had in mind in writing about the immortality of the soul or salvation, and suddenly my normally loquacious undergraduates start staring down intently at their notes. If I ask them a factual theological question about the Protestant Reformation, they are ready with an answer: predestination, faith not works, etc.
But if I go on to ask them how one knows in one’s heart that one is saved, they turn back to their notes. They look anywhere but at me, for fear that I might ask them about feeling the love of God or about having a heart filled with faith. In this intellectual history class, we talk about sexuality and identity, violence and revolution, art and obscenity, and the students are generally eager to weigh in. But when the topic of religious feeling and experience comes up, they would obviously just prefer that I move on to another subject.
Why is it so hard for my very smart students to make this leap—not the leap of faith but the leap of historical imagination? I’m not trying to make a religious believer out of anybody, but I do want my students to have a nuanced sense of how ideas of knowledge, politics and ethics have been intertwined with religious faith and practice.
On the summer solstice, three siblings and one lone outlaw spouse enjoyed an outdoor fire in Atlanta after a delightful dinner and several glasses of delightful wine or other spirits … followed by a spirited discussion of all things political and religious …
The Gift of Siblings, NYTimes.com: Worth reposting … .
“Siblings are the only relatives, and perhaps the only people you’ll ever know, who are with you through the entire arc of your life,” the writer Jeffrey Kluger observed to Salon in 2011, the year his book “The Sibling Effect” was published. “Your parents leave you too soon and your kids and spouse come along late, but your siblings know you when you are in your most inchoate form.”
Of course the “entire arc” part of Kluger’s comments assumes that untimely death doesn’t enter the picture, and that acrimony, geography or mundane laziness doesn’t pull brothers and sisters apart, to a point where they’re no longer primary witnesses to one another’s lives, no longer fellow passengers, just onetime housemates with common heritages.
That happens all too easily, and whenever I ponder why it didn’t happen with Mark, Harry, Adelle and me — each of us so different from the others — I’m convinced that family closeness isn’t a happy accident, a fortuitously smooth blend of personalities.
IT’S a resolve, a priority made and obeyed. Mark and his wife, Lisa, could have stayed this weekend in the Boston area, where they live, and celebrated his 50th with his many nearby college buddies. Harry and his wife, Sylvia, could have taken a pass on a trip to New York: they’re traveling all the way from the Los Angeles area, their home. But we made a decision to be together, and it’s the accretion of such decisions across time that has given us so many overlapping memories, which are in turn our glue.
Davidson College, Document Legacy of Lake Norman Online:
Lake Norman, the largest manmade lake in the Carolinas, was created in 1964 when Duke Energy built a hydroelectric dam on the nearby Catawba River. As buildings and roads vanished underwater and backyards suddenly turned into shoreline, Lake Norman transformed the local community.
The anniversary prompted college archivist Jan Blodgett to think about cataloguing the history of this prominent environmental feature. At the same time, Duke Energy officials approached her about creating an online educational resource for the public.
“The creation of Lake Norman changed the landscape of the region both literally and figuratively,” said Tim Gause, Duke Energy district manager. “It was and continues to be a catalyst for growth and vitality. We certainly appreciate the need to preserve its colorful history.”
Blodgett subsequently collaborated with Assistant Professor of Environmental Studies Brad Johnson and Professor of Economics David Martin to conceive the DCLNP as an assignment for environmental studies majors.
Johnson said this project also comes at an important phase in the lake’s history. “We are right at the point of losing the people who still remember what this area was like before Lake Norman. It’s important to hear the stories of these people so that they can be preserved,” he explained.
via Students Document Legacy of Lake Norman Online – Davidson College.
South Africa, Much too fat, The Economist: First world problems …
South Africa’s latest ailment could herald a dangerous trend across the rest of Africa and the poor world, where obesity is projected to increase dramatically in the next two decades, along with urbanisation and economic development. It is a paradox that in places where malnutrition in children is high, adults are increasingly likely to be overweight or obese, say researchers.
Most South Africans sound comfortable with their waistlines. A health-and-nutrition survey published by the country’s Human Sciences Research Council found that two-thirds of South African men and women reckoned that they ate and drank healthily, with no need to change their way of life. Indeed, 88% of 25,500 South Africans interviewed indicated that the body image they deemed ideal was, in fact, fat.
Reflections On a Davidson College Reunion Weekend | Paul Dryden: I have to ask if any of my ’79 friends were there when the police arrived?
My hope takes form in a rumor swirling around during reunion weekend about the class of 1979. Those 56- and 57-year-olds, so said the chatter, stayed up all Friday night to catch up and get rowdy with drinks. They say the campus police came in to breakup the frolics at 5 a.m. This makes me smile. I hope it’s true because inside that party I can imagine many old classmates thawing the friendship freeze that came as life marched on; reconnecting in ways they haven’t in the 35 years since their graduation. Their kids are grown up, and their careers are winding down. They have time that we simply don’t right now. I hope they take these rekindled friendships home, pick up the phone a little more often, and act like dumb 20- year-olds together.
via Reflections On a Davidson College Reunion Weekend | Paul Dryden
Best Graduation Rates: Colleges, Bloomberg Best (and Worst), Davidson College: #6 … I think Davidson can do better. Actually, #6 is quite good. These are the schools that came out on top: Williams, Yale Notre Dame, Princeton and Carleton. I have three children, and the 4 year graduation rate intrigues me. Of their friends, those that graduated in 4 years are in the minority unless they went to a private college or a smaller flagship university (i.e., UVA, UNC). The larger universities make getting credits and completing majors extremely difficult, so that 1 or 2 extra semesters is not unusual and certainly not looked down upon. In our era, it was just what you did.
Overview
Bloomberg ranked U.S. colleges and universities based on the four-year bachelor’s-degree graduation rate at or above 80% for full-time first-time students.
Methodology
Six-year and eight-year graduation rates were provided for comparison. Included were 1,941 public and private not-for-profit schools of four years or more that offer broad curricula; specialty schools were omitted such as military academies, seminaries and schools with religious focus, music and art schools, engineering schools, nursing schools and medical training schools. Data were for 2010 to 2011, the most recently available school year.
4-Year bachelor’s-degree graduation rate 6-Year bachelor’s-degree graduation rate 8-Year bachelor’s-degree graduation rate
via Best Graduation Rates: Colleges – Bloomberg Best (and Worst).
Vincent Van Gogh, Discovery Place/Charlotte:
He probably didn’t cut off his whole ear, just a lobe. He died a failure, having sold only one painting. He created most of his famous works in the last two years of his troubled life.
Vincent Van Gogh also painted on small canvases, but his larger-than-life multimedia exhibition opening Friday at Discovery Place won’t be contained. Van Gogh’s works will be cast as giants across a gallery accompanied by a soundtrack from Bach, Handel and other classical composers.
More than 3,000 images of Van Gogh’s paintings, sketches and letters will be splashed digitally from wall to floor, immersing visitors in his work through 40 high-definition projectors.
“Van Gogh Alive,” which comes to Charlotte from Moscow and moves on in 40 days to Philadelphia, is designed to intensify the emotional experience of the artist’s labors. It also provides the rare microscopic view of his highly-textured brush strokes, unusual for his era.
“Guests may have had previous opportunities to see a few authentic paintings in a gallery, but ‘Van Gogh Alive’ brings thousands of Van Gogh’s images under one roof in a stunning audio-visual format,” says Catherine Wilson Horne, Discovery Place’s president.
Van Gogh is a departure for Discovery Place, which tends to showcase scientific exhibits. But the immersive Sensory 4 technology, used in the recent the “101 Inventions That Changed the World,” drew the museum to the show, said Kaitlin Rogers, Discovery Place’s marketing manager.
In one corner, for example, guests’ silhouettes are digitally painted with Van Gogh’s style of color and light in an experience created by artist Ivan Toth Depena in collaboration with the McColl Center for Visual Art.
Another local touch for the Charlotte visit of the exhibition is the presence of actors who interpret Van Gogh’s life. Greeting visitors in character will be Van Gogh; his brother Theo; his artistic contemporary Paul Gauguin; or his model, Adeline Raxous.
Running concurrently with the exhibit, sponsored by Wells Fargo, is the IMAX movie “Van Gogh: Brush with Genius.”
via CharlotteObserver.com – News, sports & weather for Charlotte, NC.
Who Can Write About Performance Art?, e-flux, Judson Memorial Church: This caught my attention because, one, it is about art and two, it is being hosted by Judson Memorial Church in NYC. And of course it sent me searching. I took a Big Onion Tour of Greenwich Village in january 2013 and Judson Memorial was of course highlighted, both as a politically active faith community and as a significant sponsor of the arts. There is a great Hopper painting of Judson Memorial … http://www.walkingoffthebigapple.com/2009/02/light-in-edward-hopper-sunny-side-of.html
“Why Dance in the Art World?,” presented by The Performa Institute and NYU Steinhardt at Judson Memorial Church on September 17, 2012. Photo © Paula Court.
“Who Can Write About Performance Art?”
Thursday, April 24, 2014, 6:30pm
Judson Memorial Church
55 Washington Square South
New York City
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How many histories do you need to know in order to write exciting criticism about art at the axis of dance and visual art, theater and performance, and every iteration in between?
Performa is pleased to announce “Who Can Write About Performance Art?,” a lively informative panel discussion and forthcoming series of instructional workshops investigating the myriad knowledge and skills necessary to write thoughtful and insightful art criticism at the axis of dance and visual art, theater and performance, and every iteration in between. Panelists Claire Bishop, RoseLee Goldberg, Adrian Heathfield, John Rockwell, Hrag Vartanian, and David Velasco will contribute their own expertise in writing about performance in an evening that specifically focuses on the ways and means that writers approach their writing, to be as flexible in crossing these various borders as are the artists who create multi-, inter-, and trans-disciplinary works. Specifically, panelists will discuss their backgrounds and interest in performance—do they come from art history, theater history, or literature?—share how they first came to write about performance, and express their ideas about the responsibilities of writing about work that demands a knowledge of several disciplines at once. Participants’ contributions are informed by their diverse perspectives and experiences in art criticism, ranging from publishing texts in international monthly art magazines, daily newspapers, and websites, to extensive, book-length scholarly publications.
via Who Can Write About Performance Art? | e-flux.
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Edward Hopper achieved fame relatively late in life, with his art career gaining momentum during the early years of the Great Depression. After years as a working artist, the Met, MoMA, and the Whitney started acquiring his paintings. Hopper turned 50 on July 22, 1932.
That year Hopper and his wife Jo moved toward the front of the building at 3 Washington Square North into a sunnier spot on the fourth floor that afforded a view overlooking the park. Inspired by the new point of view he started painting November, Washington Square, a landscape that showed the buildings on the north side of the park, prominently Judson Memorial Church. He set the unfinished painting aside for about twenty-seven years, coming back to it in 1959 and filling in the missing sky. Hopper shows Washington Square to be completely empty, not surprising for a painter known to remove people from his compositions. The painting shows a sleepy village, and with the earth tones and blue sky it looks like it could be a village in northern New Mexico.
Previous to the move to the sunny side, he painted an oil and a few watercolors of the views of the roofs from the back of the building, ones that show the chimney vents and such. City Roofs (1932) features the looming presence of 1 Fifth Avenue, the Art Deco skyscraper that upset the Villagers when it was erected. Interestingly, Hopper ignored many of the famous buildings of the era such as the Empire State Building, Chrysler Building, and Rockefeller Center and stuck mainly to pedestrian subjects. This strikes me as a wise move.
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Sponsorship of the arts[edit]
Beginning in the 1950s, the church supports a radical arts ministry, first led by associate pastor Bernard Scott and subsequently by associate pastor Al Carmines. The church made space available to artists for art exhibitions, rehearsals, and performances. The church also assured that this space was to be a place where these artists could have the freedom to experiment in their work without fear of censorship. In 1957, the church offered gallery space to Claes Oldenburg, Jim Dine and Robert Rauschenberg, who were then unknown artists. In 1959, the Judson Gallery showed work by pop artists, Tom Wesselmann, Daniel Spoerri, and Red Grooms. Yoko Ono also had her work exhibited at the gallery.
The Judson Dance Theater, which began in 1962, provided a venue for dancers and choreographers including Trisha Brown, Lucinda Childs, Steve Paxton, David Gordon and Yvonne Rainer to create and show their work. Among others, these dancers and choreographers shaped dance history by creating postmodern dance, the first avant-garde movement in dance theater since the modern dance of the 1930s and 1940s. For the past several decades, Movement Research has presented concerts of experimental dance at the church on Monday evenings during the academic year.
In the 1970s, the church hosted various art shows and multimedia events. Most notable among these multimedia events was the People’s Flag Show in November 1970, a six-day exhibition of painting and sculpture on the theme of the American flag. The exhibit and the accompanying symposium, featuring speeches by Abbie Hoffman and Kate Millet, attracted widespread attention from the public, the press and the police. During the final days of the exhibit, three of the contributing artists were arrested, both pastors (Moody and Carmines) were issued summons (not followed up), and the District Attorney closed the exhibit on charges of desecration of the American flag.
The Judson Poets’ Theatre started in November 1961 – with a play by poet Joel Oppenheimer – as one of three off-off-Broadway venues (the others were Caffe Cino and La MaMa Experimental Theatre Club). Experimental plays and musicals by later-famous authors and directors, including Sam Shepherd, Lanford Wilson and Tom O’Horgan, were presented in the church’s main Meeting Room. Starting in the late 1960s, Carmines began writing and producing his own musicals, and later, “oratorios” that used large volunteer choruses. Especially notable were several shows using texts by Gertrude Stein, music by Carmines, with direction by the Judson Poets Theatre director Lawrence Kornfeld.
In the 1980s, the church sponsored various political-theater performances, such as those by the Vermont-based Bread and Puppet Theater. These performances included Insurrection Opera and Oratario, performed in February and March 1984. In this performance, the Bread and Puppet Theater, under the direction of its founder, Peter Schumann, used opera and the company’s now signature oversized puppets to convey an anti-nuclear message. The church has recently become the home of the West Village Chorale, directed by Michael Conley. The Chorale’s former home was St. Luke’s in the Fields on Hudson Street.
The church celebrated its centennial in 1990 with performances and symposia involving many of the artists who had been involved with the arts ministry in the 1960s and 1970s. It continues both its support of the arts and its social outreach to the community.
via Judson Memorial Church – Wikipedia, the free encyclopedia.
Spitbank Fort, Solent Forts – The Most Unique Collection of Venues:
Our three AmaZing historic sea forts have been, or are in the process of being, transformed into the ultimate private island experience. Perfect for Private Parties, Fort Breaks, Weddings and Lunch Experiences, our venues offer something unique.
Erev Yom HaShoah, Holocaust:
Alex Levin, Art Levin Studio. http://www.ArtLevin.com
April 27
Tonight, on Erev Yom HaShoah-jews come together to remember the 6 million Jews who perished in the Holocaust.
NEVER AGAIN!
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